#Tranter com series#

The company was named Bad Wolf in homage to a Doctor Who storyline. In the summer of 2015, Tranter set up a production company with Julie Gardner based in Cardiff, Wales and Los Angeles, California. The BBC had been criticised for consolidating the control of fiction commissioning in one person following Tranter's resignation, the responsibilities were split between four BBC executives. She began her new job as executive vice-president of programming and production at BBC Worldwide's Los Angeles base on 1 January 2009. Despite denying the claims at a Royal Television Society event in June, her new role in the US was confirmed in September.

Throughout 2008, there was media speculation that Tranter would be leaving the BBC to take up a position as head of BBC Worldwide's American arm. In this new position, Tranter had an almost unprecedented amount of control over scripted drama on the BBC. This made her responsible not only for drama, but for comedy, films and acquired programmes from overseas. In September 2006, Tranter was promoted to the newly created Head of Fiction position at the BBC. In 2003, she was responsible for a programming budget in the region of ВЈ324В million, and in 2002 alone was ultimately responsible for 473 hours of television.

#Tranter com series#

She also oversaw the transformation of popular dramas Casualty and its spin-off Holby City into year-round dramas, the addition of a fourth weekly episode to soap opera EastEnders and the highly successful resurrection of classic science-fiction series Doctor Who in 2005. During her tenure in charge of the drama department, the BBC screened ratings-grabbing popular dramas such as Spooks (BBC One, 2002вЂ“2011) and Waking the Dead (BBC One, 2000вЂ“2011), as well as award-winning productions such as Paul Abbott's State of Play (2003) and the adaptation of Charles Dickens' novel Bleak House (2005). In 2000, she was promoted to Controller of Drama Commissioning at the BBC, where she was ultimately responsible for overseeing the corporation's entire drama output across all channels, from the in-house departments and independent companies, in series, serials and one-offs.

In these roles she commissioned and oversaw a range of dramas made or co-produced by the BBC's own drama department, from playwright Arthur Smith's football-based comedy-drama My Summer With Des (1998) to gritty contemporary dramas such as Warriors (1999, starring Matthew Macfadyen) and traditional BBC literary adaptations in the vein of David Copperfield (also 1999). She returned to the BBC in 1997, initially as an executive producer in the Film & Single Drama department and in 1999 she became Head of Drama Serials. At Carlton, Tranter oversaw the Timothy Spall comedy-drama Frank Stubbs Promotes and the Victorian-era medical drama Bramwell, both of which were hits for ITV. Carlton had won the ITV network franchise for broadcasting in London on weekdays, and planned to produce dramas for national consumption across the entire network. In 1992, she left the staff of the BBC to take up a position as a drama script editor at Carlton Television, working for Tracy Hofman, the controller of drama. Thompson, who promoted her to act as script editor on the anthology drama series Screen One and Screen Two, essentially the same programme whose title changed depending on whether it was being screened on BBC One or BBC Two, with the transmission channel varying depending on content and tone of the dramas produced. She quickly caught the eye of producer David M. Later that same year she was promoted to assistant script editor, working on the BBC's popular medical drama Casualty. Two years later, she made the switch into television, working as a floor manager on dramas such as EastEnders and Bergerac. After studying English Literature at King's College London and taking a secretarial course back in Oxford, she joined the staff of the BBC in 1985, initially working as a secretary in the radio drama department.